Using the public space of the art museum as a point of departure, Sanctuary extends the social value and cultural speculation of the museum through an open and touchable approach. This outdoor landscape work provides the museum with a new stance by moving the art arena from the white box out to the plaza, extending the contemporary thinking and spirit. Wang Wen-Chih has been working with natural, organic media in large-scale spatial installation works that invite the viewer into his physical and mental meditative sensory spaces. The work itself is spatial, and the artist uses this to construct a platform for human encounter and exchange, catalyzing increased interactions of contemporary issues between the museum and the public. Through this work, the viewer not only experiences the sense of sanctuary, but also begins to contemplate the significance of a spiritual sanctuary, in hopes of engendering contemplations of broader social issues through the heeling, peaceful artistic space.