Interactive Installation (3D Animation, Computer, Interactive System, Web Cam, Projectors, Stereo),2011
Dimensions Variable
3D Hologram, Acrylic Frame, Spotlight,2010-2012
46x57.5x4cm each piece
3-Channel Video,2015
12 min.
Interactive Installation (Algorithm, LED Panel Display, Embedded System, Webcam, Half -Reflecting Mirror),2014-2015
50 x 80x10cm
Interactive Light Installation (Stainless Steel, Half-reflecting Mirror, Self-control Infrared Sensor, LED, Motor, Lighting Controller),2015
48 x 48 x 43cm
Video,2011
4 min. 59 sec.
Video,2013
8min.
Video,2012
5 min.
Animation Installation ( 5-channel synchronous video projection, pencil, paper),2011-2013
5min. , Dimensions variable
To celebrate the 50th anniversary of the birth of electronic art, the 15th WRO Media Art Biennale takes ‘Pioneering Values’ as the focal theme of the international competition. Among 1500 works in the open call, the Taiwanese artists Chi-Tsung Wu ’s ‘Crystal City 002’ and Pey-Chwen Lin’s ‘ The Revelation of Eve Clone Revelation’, ‘The Portrait of Eve Clone’ are selected with the curatorial concept ‘ The Apocalyptic Sensibility’ of the Taiwanese curator Yunnia Yang. She responds to ‘Pioneering Values’ that being innovative is not necessarily an avant-garde pioneer, it is more crucial to introspect the meanings and the influences that technology brings human beings. The Homecoming Exhibition from WRO Media Art Biennale 2013 ‘The Apocalyptic Sensibility: The New Media Art from Taiwan’ will give a complete picture of the curatorial philosophy ‘ The Apocalyptic Sensibility’ with the works of the six Taiwanese artists: Pey-Chwen Lin, Chi-Tsung Wu, Zan-Lun Huang, Scottie Chih-Chieh Huang, I-Chun Chen, and Zhang Xu Zhan. They look into the technologized civilization with new sensibilities so that we will have deeper perceptions and contemplations about the consumerism and the media society which we live in.