中文書目
江凌青。〈數位時代的錄像藝術展示:從多元放映平臺的興起到一種趨向敘事的策略〉。《現代美術學報》,第26期。頁37-61。
呂佩怡。〈策展 (Curating) /策展 (Curation)?〉,2013.10,國藝會線上誌。2018.6.21瀏覽。
辛怡澄。〈踏入「社交場」互觀互演、彼此交陪〉。《PAR表演藝術雜誌》,第295期。頁56-57。
林生傳。〈建構主義的教學評析〉。《課程與教學》,第1卷,第3期。頁 6。
林欣怡。〈作者權轉移:以p2p網路拓樸探測網路集體創作結構的權力移轉〉。《網路社會學通訊》,第81期,線上發行。
林書民。〈Tea─宣言〉,收錄於蔡昭儀、林書民編,《Tea : 集體智慧 : 科技娛樂藝術》。臺中市:國立臺灣美術館,2012。頁7-14。
林珮淳、范銀霞。〈從數位藝術探討互動觀念、媒介與美學〉。《藝術學報》,第 74期。頁99-111。
林詠能。〈臺北市立美術館觀衆參觀動機研究〉。《博物館與文化》,第6期。頁167-189。
林瑋嬪。〈導言:網路‧人類學:網路、社群與想像〉。《考古人類學刊》,第85期。頁1-15。
林曉瑜。〈群眾力量的興起─談集體智慧時代的藝術家與美術館〉,收錄於蔡昭儀、林書民編,《Tea : 集體智慧 : 科技娛樂藝術》。臺中市:國立臺灣美術館,2012。頁34-39。
吳筱玫、周芷伊。〈Tagging 的分類與知識意涵: 以 Flickr 首頁圖片為例〉。《新聞學研究》,第99期。頁265-305。
施伯燁。〈社群媒體─使用者研究之概念、方法與方法論初探〉。《傳播研究與實踐》,第4卷,第2期。頁207-227。
施登騰。〈談博物館自拍〉。2018.1.11。中華民國博物館學會。2018.8.17瀏覽。
張婉真。〈策展非物質-兩個機構史展覽的比較研究〉。《博物館學季刊》,第30卷,第4期。頁55-71。
陳乃慈。〈觀眾成為展覽的共同演出者?專訪北美館「社交場」策展人蕭淑文〉。2017.8.8,非池中藝術網。2018.8.21瀏覽。
陳豪毅。〈群眾探尋:初論數位藝術中的群眾性〉,收錄於邱誌勇編,《數位藝述》。臺北市:田園城市文化事業有限公司,2011。頁99。
湯代祿等。《網際網路的變革:Web 2.0理念與設計》,初版。臺北市:文魁資訊,2007。頁 1-3、6。
葉謹睿。《藝術語言@數位時代》,初版。臺北市:典藏藝術家庭,2003。頁15。
翟本瑞。〈從社區、虛擬社區到社會網絡網站:社會理論的變遷〉。《資訊社會研究》,第21期。頁1-31。
劉修岑。《美術館開放觀眾攝影:台北當代藝術館個案研究》。新北市:國立臺灣藝術大學藝術管理與文化政策研究所碩士論文,2015。頁155。
劉襄儀。〈社群時代的博物館教育展望〉。《博物館學季刊》,第22卷,第2期。頁97-123。
──。《線上社群應用於博物館之策略分析》。臺北市:國立臺灣師範大學美術學系博士論文,2011。頁505。
鄭惠文。〈艾未未的社群媒體運用與認同生產〉。《現代美術學報》,第31期。頁9-37。
羅之盈。〈虛實整合再進化:迎接O2O大商務時代〉。《數位時代》,第223期。頁94-104。
Brown, John Seely and Paul Duguid著,顧淑馨譯。《資訊革命了什麼?》(The Social Life of Information)。臺北市:先覺,2001。頁 156。
Castells, Manuel著,夏鑄九等譯。《網絡社會之崛起》(The Rise of Network Society)。臺北市:唐山,1996/1998。
Dimension。〈社群媒體的歷史總表〉。2013.1.28。科技新報 TechNews。2018.1.26瀏覽。
Friedman, Thomas著,楊振富、潘勛譯。《世界是平的 : 把握這個趨勢,在21世紀才有競爭力》(The World Is Flat: A Brief History of the Twenty-First Century)。臺北市:雅言文化,2005/2007。頁 113-122。
Graham, Beryl and Sarah Cook著,龍星如譯。《重思策展:新媒體后的藝術》(Rethinking Curating: Art after New Media),2010/2016。頁 301-343。
Kelly, Kevin著,趙學信譯。《NET & TEN》(New Rules for the New Economy: 10 Radical Strategies for a Connected World)。臺北市:大塊文化,1998/1999。頁 165-189。
Kuhn, Thomas Samuel著,王道還等譯。《科學革命的結構》(The Structure of Scientific Revolutions)。臺北市:遠流,1962/1994。頁53-67
Ludovico, Alessandro and Paolo Cirio.“Face to Facebook.”,收錄於蔡昭儀、林書民編,《Tea : 集體智慧 : 科技娛樂藝術》。臺中市:國立臺灣美術館,2012。頁113。
McLuhan, Herbert Marshall著,鄭明萱譯。《認識媒體 : 人的延伸》(Understanding Media: The Extensions of Man)。臺北市:貓頭鷹,1964/2006。頁 36。
Simon, Nina著,喻翔譯。《參與式博物館:進入博物館2.0時代》(The Participatory Museum)。杭州市:浙江大學出版社,2010/2018。
Standage, Tom著,林華譯。《社群媒體前兩千年》(Writing on the Wall : Social Media - the First Two Thousand Years)。臺北市:行人文化實驗室,2013/2016。
Toffler, Alvin著,黃明堅譯。《第三波》(The Third Wave)。臺北市:經濟日報,1980/1981。頁 161-181。
英文書目
Catherine, Hall and Zarro Michael.“Social Curation on the Website Pinterest.Com. ” Proceedings of the American Society for Information Science and Technology 49(1): 1-9.
Dell’Aria, Annie.“Yayoi Kusama: Infinity Mirrors.” Woman's Art Journal 38(2): 54-55.
Dervin, Brenda et al. Sense-Making Methodology Reader: Selected Writings of Brenda Dervin. New York,USA: Hampton Press. 2003
Dixon, Mar. “What Is #Museumselfie Day?” 2014.1.17.mardixon.com.2018.8.15 Accessed.
Foster, Meg. “Online and Plugged In?: Public History and Historians in the Digital Age.” Public History Review 21: 1-19.
Frank, Priscilla. “Museum Shows Its Most‘Liked’Paintings in Crowd-Curated Exhibition #Socialmedium.” 2014.11.17.HuffPost.2018.7.24 Accessed.
Gamerman, Ellen. “Everybody’s an Art Curator; as More Art Institutions Outsource Exhibits to the Crowd, Is It Time to Rethink the Role of the Museum?”.2014.10.23.Wall Street Journal (Online).2018.9.3 Accessed.
Griffiths, José-Marie and Donald W King. “Interconnections: The Imls National Study on the Use of Libraries, Museums and the Internet.” 2008.2.28.interconnectionsreport.org.2018.8.8 Accessed.
Hayden, Beth and Rafal Tomal. “A History of Social Media [Infographic] .” 2012.10.19.Copyblogger.2018.5.3 Accessed.
Henkel, Linda A. “Point-and-Shoot Memories:The Influence of Taking Photos on Memory for a Museum Tour.” Psychological Science 25(2): 396-402.
Hood, Marilyn G. “Staying Away: Why People Choose Not to Visit Museums.” Museum news 61(4): 50-57.
Jenkins, Henry et al.. “If It Doesn’t Spread, It’s Dead (Part One): Media Viruses and Memes.” 2009.2.11.Confessions of an ACA-Fan-The Official Weblog of Henry Jenkins.2018.8.20 Accessed.
Kaplan, Andreas M and Michael Haenlein. “Users of the World, Unite! The Challenges and Opportunities of Social Media.” Business horizons 53(1): 59-68.
Kietzmann, Jan H. et al. “Social Media? Get Serious! Understanding the Functional Building Blocks of Social Media.” Business horizons 54(3): 241-251.
Liao, Christine L. “Avatars, Second Life, and New Media Art: The Challenge for Contemporary Art Education.” Art Education 61(2): 87-91.
Literat, Ioana. “The Work of Art in the Age of Mediated Participation: Crowdsourced Art and Collective Creativity.” International Journal of Communication 6(23).
Manovich, Lev. “Generation Flash.” 2002.manovich.net.2018.7.6. Accessed.
──. “Social Data Browsing.” 2006.2.12.manovich.net.2018.6.28. Accessed.
Marty, Paul F. “Museum Websites and Museum Visitors: Digital Museum Resources and Their Use.” Museum Management and Curatorship 23(1): 81-99.
Murray, Derek Conrad. “Notes to Self: The Visual Culture of Selfies in the Age of Social Media.” Consumption Markets & Culture 18(6): 490-516.
O'Reilly, Tim. “Web 2.0: Compact Definition?” 2005.10.1.radar.oreilly.com.2018.6.28. Accessed.
Oswald, Emily. “Museum Selfies: Participatory Genius or Sign of Our Self-Centered Times? | National Council on Public History.” 2014.3.19.National Council on Public History.2018.8.15. Accessed.
Pardes, Arielle.“The Rise of the Made-for-Instagram Museum.” 2017.9.27.Wired.2018.4.19. Accessed.
Patten, Dave. “Web Lab- Bridging the Divide between the Online and in-Museum Experience.” 2013.4.17.MW2013: Museums and the Web 2013.2018.6.25. Accessed.
Paul, Christiane.. Digital Art. London,UK: Thames & Hudson. 2015.
Proctor, Nancy. “The Google Art Project: A New Generation of Museums on the Web? ” Curator: The Museum Journal 54(2): 215-221.
Rampell, Alex. “Why Online2offline Commerce Is a Trillion Dollar Opportunity.” 2010.8.15.Techcrunch.2018.7.29. Accessed.
Sakr, Sharif. “Google Opens Web Lab at London’s Science Museum, Because ‘the Internet Is Incredible’ .” 2012.7.18. engadget. 2018.6.22 Accessed.
Smith, Jeffrey K. and Lisa F. Smith. “Spending Time on Art. ” Empirical Studies of the Arts 19(2): 229-236.
Smith, Lisa F. et al. “Time Spent Viewing Art and Reading Labels.” Psychology of Aesthetics, Creativity, and the Arts 11(1): 77-85.
Sparrow, Betsy et al. “Google Effects on Memory: Cognitive Consequences of Having Information at Our Fingertips.” Science 333(6043): 776-778.
Sung, Yongjun et al. “Why We Post Selfies: Understanding Motivations for Posting Pictures of Oneself.” Personality and Individual Differences 97: 260-265.
Tamir, Diana I. et al. “Media Usage Diminishes Memory for Experiences.” Journal of Experimental Social Psychology 76: 161-168.
Wade, Nicholas J. “The First Scientific ‘Selfie’? ” Perception 43(11): 1141-1144.
Wang, Yiwen et al. “Cultivating Personalized Museum Tours Online and on-Site.” Interdisciplinary Science Reviews 34(2-3): 139-153.
Weiser, Eric B. “#Me: Narcissism and Its Facets as Predictors of Selfie-Posting Frequency.” Personality and Individual Differences 86: 477-481.
Whitehead, Kate. “Is Social Media Killing Art or Bringing It to the People?” 2017.2.28.South China Morning Post.2018.6.25. Accessed.
Wired. “Nextwork: Kevin Kelly.” 2011.7.22.Youtube.2018.4. Accessed.
Xiao, An. “Always Social: Right Now (2010-), Part Three.” 2010.6.18.hyperallergic.com.2018.6.28. Accessed.