A shipment from Vienna of objects from 113 years ago serves as the start of the conceptual practice of this exhibition. Those images and their carriers generated from the 1910 Japan–British Exhibition: including the Carte de Visite (CdV) patented in 1854, postcards, newspapers, and paper doll souvenirs with images on them, enough to fill a private residence in Vienna. Through a journey completed through the use of fossil fuels, these objects were able to leave their place of origin and interact with another cultural and intellectual text. Another part of the exhibition is about the authorization of images, the power of reproduction and redistribution, and the relationship between morality and aesthetics. The exhibition presents the review of images through the process of printing, publishing and reproducing some of the images collected by Radauer and showcasing them in a public exhibition.