While silent letters become an essential element in forming a word, they remain unpronounced. 
Quietly attempting to speak through the visual. 
In everyday life, tangible objects frame our surroundings— emphasizing precision and purpose, shaped by definition. 
In this exhibition, objects and materials are collaged, inviting them to unfold from sections and fragments.
Like flipping through a book creates new angles. 
The title page, turned over—the content begins—a pause for breathing and the start of pronunciation.
The gap creates a connection and an invitation to the gateway. 
Flipping through the thickness of 165 pages, the 'unit' transforms into a fragment of words. 
The movement of flipping aroused the tactile awareness of the thickness. 
Touching and overlaying, preserve clarity and vagueness simultaneously. 
Viewing the units from multiple perspectives allows them to exist more freely across various subjects. 
Objects and materials are eligible for the potential to be sculpted. In this instance, materials offer the possibility for me to fabricate. 
Objects, materials, and other mediums expand projection, transforming into an incomplete sentence in this space. 
Mining, excavation, saturated solution, word, object, material, draft.
Basic materials encounter processing—leaving traces inevitably. 
Cracks, absence narrative, interspersed with ample void. 
Words and units attempting to practice their pronunciation. 
In this present moment, allowing me to remain leaving a subtle presence without definitive indication.